As a teenager, George is nervous, scared, unsure of his love, dabbling in vague ideas to present himself before the girl he loves.

Premam never attempts anything profound, but gradually shows the varying grip of a man over love and life. Nivin has managed to dilute the ignominy with sugary innocence in such a way that Romeos do not evoke mean contempt but good hearted laughter. People look down upon such shameless Romeos who do nothing but follow the trail of the girl they love. He is assigned a special task these days – to elevate the perception of what is usually considered harmless but a lowly manner of drooling over girls. Nivin Pauly plays George David who courses along love as he grows up from a teenager to a man. Alphonse Putharen weaves his new film ‘Premam’ mostly around the spontaneity of love, its freshness, the split second that shatters the vows hardened over years and sometimes its triviality, the aspect that enables someone to let go and move on. One never gets tired of it, no matter how devastating the side effects. Perhaps the most wonderful trait of love is its inexhaustibility. Review: Boys and invariably men just relish the labour of love – the pain it takes to woo a girl, her first glance which would send his pulse shooting like a meteor, her illusory smile that would freeze him as though in a photo frame. Story: Premam narrates the love affairs of George David from his pre-degree days, portraying the varying grip of a man over love and life.

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