In a flagrant flouting of the status quo, the camera system is removed entirely. Replacing the ever-troubled pizzeria from previous games is the nighttime bedroom of a kid who both substitutes for the hilariously underpaid security guard as the main character and clearly establishes his traumatic phobia of Freddy’s friends with a constant Binding-of-Isaac-esque flow of tears. FNAF 4’s fundamentals stay firmly acquainted-a familiarly symmetrical room the reprise of Bonnie, Chica, Freddy, and Foxy as primary antagonists the usage of doors as a primary defensive mechanic-but its differences offer a refreshing new presentation of the risk-reward seesaw of its predecessors. Boy meets demonĪbove anything, developer Scott Cawthon’s tenacity at constantly tweaking his formula for horror is almost Kubrickian in its meticulousness. I can imagine my hands hugging the wall, an ostensible anchor against the nightmares bumping in the blackness. When I risk a glance out one of the two flanking doors into the dark corridors beyond, my perspective skews unnervingly.

I may as well be staring into a lion’s mouth. I’m leaning out of a child’s bedroom, a sharp departure from the Formica wasteland of Freddy Fazbear’s pizzeria, peering down a hallway swallowed in darkness. The tensest moment in Five Nights at Freddy’s 4 is a one-second lean.

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